Theses and Dissertations
Title
- 2- Ze Carioca - 50 pages. 7 ( seven) Gibi Almanaque DISNEY Brazilian Portuguese Kids Disney Comics. Big Disney - 300 pages.
- From Wikipedia: Walt Disney Pictures is an American film production company and division of The Walt Disney Studios, owned by The Walt Disney Company. The division is based at the Walt Disney Studios and is the main producer of live-action feature films within the The Walt Disney Studios unit. It took on its current name in 1983.
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Author
Abstract
Although Walt Disney's early animated feature films were successful, a variety of economic, operational, and external forces required him to continually be on the cutting edge of new ideas and technologies in order for his studio to continue operations. Latin America became the studio's source of inspiration in the early 1940s, sprouting from Walt Disney's involvement with the Office of the Coordinator of Inter-American Affairs. Saludos Amigos and The Three Caballeros were the result. While many critics have decried Disney's involvement in Latin America as being an apparatus of cultural imperialism and economic exploitation, they almost universally give him credit for his pursuit of cultural authenticity within the films. They are, however, sparing in what ways such was done and are reticent in declaring that he fulfilled that quest. As one who was involved politically and economically in the shaping of a nation, with his enterprise benefiting as a result, Walt Disney can in fact be seen as a colonial, imperial power. Within Brazil, José Carioca was the 'monument' he erected to that end. Unlike full-fledged colonial figures in earlier centuries, however, his 'monument' was overall friendly and was not based on the image of a sovereign leader, but a character that was intended to be seen as native. Where Disney was bound by the interests of the government he represented, and consequentially the Brazilian government, his 'monument' was imbued with hues that were inherently skewed toward those entities; however, he worked within those parameters to present a credible image. This thesis seeks to substantiate those ways and how the original monument-like figure Disney erected in the Brazilian public square, the image of José Carioca in Saludos Amigos and The Three Caballeros, led to unity—and not division—as most imperial monuments had done in earlier centuries. A possible explanation as to how Disney's multiple nuanced iterations of the character leads to such critique of the original 'monument' will also be provided.
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Degree
MA
College and Department
Slots all free. Humanities; Spanish and Portuguese
Rights
http://lib.byu.edu/about/copyright/
Ze Carioca Walt Disney
BYU ScholarsArchive Citation
Nelson, Andrew Kelly, 'José, Joe, Zé Carioca: Walt Disney's Good Neighbor Colonial 'Monument' in Brazil' (2017). Theses and Dissertations. 6246.
https://scholarsarchive.byu.edu/etd/6246
Date Submitted
2017-02-01
Document Type
Thesis
Handle
http://hdl.lib.byu.edu/1877/etd9060
Keywords
José Carioca, Brazil, Walt Disney, OCIAA, Good Neighbor Policy, cultural imperialism, hybrid cultures, intercontinental representation, monument building
Ze Carioca Wall Disney Channel
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Theses and Dissertations
Title
- 2- Ze Carioca - 50 pages. 7 ( seven) Gibi Almanaque DISNEY Brazilian Portuguese Kids Disney Comics. Big Disney - 300 pages.
- From Wikipedia: Walt Disney Pictures is an American film production company and division of The Walt Disney Studios, owned by The Walt Disney Company. The division is based at the Walt Disney Studios and is the main producer of live-action feature films within the The Walt Disney Studios unit. It took on its current name in 1983.
- High quality Three Caballeros gifts and merchandise. Inspired designs on t-shirts, posters, stickers, home decor, and more by independent artists and designers from around the world. All orders are custom.
- 18K Yellow Gold & Enamel Jose 'Ze' Carioca Walt Disney Parrot Character Charm.
Prezi's Big Ideas 2021: Expert advice for the new year; Dec. How to increase brand awareness through consistency; Dec.
Author
Abstract
Although Walt Disney's early animated feature films were successful, a variety of economic, operational, and external forces required him to continually be on the cutting edge of new ideas and technologies in order for his studio to continue operations. Latin America became the studio's source of inspiration in the early 1940s, sprouting from Walt Disney's involvement with the Office of the Coordinator of Inter-American Affairs. Saludos Amigos and The Three Caballeros were the result. While many critics have decried Disney's involvement in Latin America as being an apparatus of cultural imperialism and economic exploitation, they almost universally give him credit for his pursuit of cultural authenticity within the films. They are, however, sparing in what ways such was done and are reticent in declaring that he fulfilled that quest. As one who was involved politically and economically in the shaping of a nation, with his enterprise benefiting as a result, Walt Disney can in fact be seen as a colonial, imperial power. Within Brazil, José Carioca was the 'monument' he erected to that end. Unlike full-fledged colonial figures in earlier centuries, however, his 'monument' was overall friendly and was not based on the image of a sovereign leader, but a character that was intended to be seen as native. Where Disney was bound by the interests of the government he represented, and consequentially the Brazilian government, his 'monument' was imbued with hues that were inherently skewed toward those entities; however, he worked within those parameters to present a credible image. This thesis seeks to substantiate those ways and how the original monument-like figure Disney erected in the Brazilian public square, the image of José Carioca in Saludos Amigos and The Three Caballeros, led to unity—and not division—as most imperial monuments had done in earlier centuries. A possible explanation as to how Disney's multiple nuanced iterations of the character leads to such critique of the original 'monument' will also be provided.
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Degree
MA
College and Department
Slots all free. Humanities; Spanish and Portuguese
Rights
http://lib.byu.edu/about/copyright/
Ze Carioca Walt Disney
BYU ScholarsArchive Citation
Nelson, Andrew Kelly, 'José, Joe, Zé Carioca: Walt Disney's Good Neighbor Colonial 'Monument' in Brazil' (2017). Theses and Dissertations. 6246.
https://scholarsarchive.byu.edu/etd/6246
Date Submitted
2017-02-01
Document Type
Thesis
Handle
http://hdl.lib.byu.edu/1877/etd9060
Keywords
José Carioca, Brazil, Walt Disney, OCIAA, Good Neighbor Policy, cultural imperialism, hybrid cultures, intercontinental representation, monument building
Ze Carioca Wall Disney Channel
Language
english
Ze Carioca Wall Disney World
Included in
Disney Jose Carioca
COinSFirst time going to Epcot with the wall maze and I know the only way past SSE is to the right. The question I have is what would the best direction to line up at rope drop to get to TT? Is this the only area?
Secondly..we are staying at Pop and the new bus times are throwing a bit of a wrench in our morning plans. My wife wants no part of the skyliner due to height fears. We are meeting people out front and the skyliner would only get is to the gateway so that's out anyways. Is Uber (or the like) the only way? Also, where does Uber drop us off in Epcot?
